Speakers will be sharing their pitch presentations—PDF or Keynote files—as presented to their clients for the first time. This is a unique opportunity to learn how to showcase your work for the sell, receive feedback, and ultimately, approval.

La chicha es una bebida ancestral, un género musical potente, es cultura popular, y un aporte del pueblo al arte gráfico latinoamericano. Transgrede lo establecido para llenarlo de color, creatividad y lucha, para mirarnos y entendernos más.

TIPOS is a documentary webseries that presents the modern typography development in Chile. Each episode shows the intimate working of leading local designers, with a unique perspective on their creative processes from a personal point of view through interviews, follow-up and animations. TIPOS rescues the value of a trade lost between the digital and the analogue, presenting in each chapter a unique story about the value of typeface with a Latin character.

What to tell and how to tell it. It’s about framing the story, gazing at it warmly. Changes in culture and technology have transformed the way we translate what we see, what we do with what we see. And seeing is a way of being in the world. In Buenos Aires, we locals have a knack for classifying everything: buildings, colors, signs, bars, buses, textures, letters. Buenos Aires is a text we love to read over and over again.

A look at the Bolivia Poster Biennial BICeBé and its commitment to good design through the years. BICeBé is one of the Latin American design events with the greatest regional and international impact, and a creative showcase of excellence.

My lecture will deal with the way I use letters in my work, dedicated to culture, social manifestations, daily influences from my environment, my city and my country, handwriting, typography, processes, poetry and humor in different formats. : posters, books, products, art, architecture... etc. And what I think about all this.

Location:
Tátil Design
Rua Fradique Coutinho,
2207 - Pinheiros - São Paulo / SP / Brazil

Local Time:
6:00 pm - 10:00 pm 

Location:
Greco Design
Rua Rio Verde, 150
Anchieta – Belo Horizonte – MG – Brasil

Local Time:
6:00 pm - 10:00 pm

Location:
Porto Rocha
To be shared with attendees at a later date

Local Time:
6:30 pm - 10:00 pm

Three different projects, three distinctive designers, one client, one goal: celebrating women’s day through typograph. Projects as commissioned by the Centro Cultural Recolera over the years.

We could just say that it's exciting to create them. Beyond that, Raphaël, {founder of Altiplano}, questions the relationship between the typographic landscape and our creolized world. He will try to answer the question of the unceasing quest for new fonts by reviewing cases from his own work, while talking about his activity around the creation of bespoke fonts.

Painting a mural sounds like a whole new world, and it can be scary when you come from working at a desk on a computer, iPad, or a piece of paper. I did that transition (I'm still working on it), and I will be sharing my adventure, from how I started getting walls to paint to what it has implied at a graphic and creative level or even mentally, like being a rookie again.

Type plays a role in political communication, conveying ideology through the anatomy of its letterforms and how is placed in our landscape. In this session speakers will showcase work aimed to raise awareness, political, such as a font that reveals fake news, a book cover that depicts discontent with the elected Brazilian president, and a font designed to pay homage to the victims of the biggest environmental catastrophe of all times in Brazil.

A safari through the city of São Paulo in search of Pixação. The originality of the design of the letters. Examples of how this style influences Brazilian type design.

The ways in which the cultural context influences my profession, nourish the idea that perfection—as subjectivity—goes against expressiveness and the search for new paradigms around typographic design.

I’ll be sharing my latest typographic projects through the lens of translation. As a Mexican American woman, the concept of translation has been a part of my life since childhood interpreting between languages and cultures. This adaptability and curiosity is something I have carried into my design practice, as my work often finds itself at unlikely intersections, translating between typography, activism, and technology in order to create designs that are joyful and surprising.

Location:
HMCT
ArtCenter South Campus,
950 South Raymond Avenue,
Pasadena CA 91105

Local Time:
3:45 pm - 5:45 pm